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Joachim Beuckelaer 1535-1574
Flemish
Joachim Beuckelaer Galleries
b Antwerp, c. 1534; dAntwerp, c. 1574). Flemish painter. He came from an Antwerp family of obscure painters and seems to have spent his entire life there. He trained in the studio of Pieter Aertsen, who in 1542 had married Beuckelaers aunt; he became an independent master and also married in 1560. His earliest known work dates from that year, and his development can be followed closely to 1570. The example of Beuckelaers master remained decisive throughout his career. Not only did he take over Aertsens new repertory of secular subjects, he also completely adopted his stylistic idiom and manner of painting, so that it can be difficult to distinguish the two hands. Beuckelaer was, however, by no means a slavish imitator, and as regards execution he fully bears comparison with Aertsen.
Joachim Beuckelaer Market Woman with Fruits, Vegetables and Poultry 1564 Staatliche Kunstsammlungen, Kassel
Painting ID:: 21967
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Joachim Beuckelaer Market Woman with Fruit,Vegetables and Poultry (mk14) 1564
Oil on oakwood,118 x 170.5 cm
Schlo Wilhelmshohe,Staatliche Kunstsammlungen,Kassel
Painting ID:: 21977
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Joachim Beuckelaer Slaughtered Pig (mk14) 1563
Oil on oakwood,114 x 83 cm
Wallraf-Richartz-Museum,Cologne
Painting ID:: 28970
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Joachim Beuckelaer Pilate Shows Jesus to the People mk65
Oil on panel
43 5/16x55 1/8in
Uffizi.
Painting ID:: 29357
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Joachim Beuckelaer A Village Celebration mk65
1563
Oil on canvas
transferred from panel
44x64"
Painting ID:: 29358
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Joachim Beuckelaer Detail of A Village Celebration mk65
Painting ID:: 32251
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Joachim Beuckelaer Market Scene (detail) Oil on wood,
113 x 81,5 cm
Painting ID:: 39675
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Joachim Beuckelaer Peasants at market mk150
1567
monogrammed and dated Panel
109x140cm
Painting ID:: 40383
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Joachim Beuckelaer At the Market mk156
1564
OIl on panel
128x166cm
Painting ID:: 45568
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Joachim Beuckelaer Museum national market woman with fruits, Gemuse and Geflugel mk186
1564 Kassel
Painting ID:: 84352
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Joachim Beuckelaer Miraculous Draught of Fishes Oil on panel
43 1/2 x 83 in.
71.PB.59
Date 1563
cyf
Painting ID:: 84502
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Joachim Beuckelaer Market Scene Date second half of 16th century
Medium Oil on wood
Dimensions Height: 113 cm (44.5 in). Width: 81.5 cm (32.1 in).
cjr
Painting ID:: 84573
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Joachim Beuckelaer Christ in the House of Martha and Mary Date 1565(1565)
Medium Oil on oak
Dimensions Height: 113 cm (44.5 in). Width: 163 cm (64.2 in).
cjr
Painting ID:: 84706
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Joachim Beuckelaer Kitchen Interior Date 1566(1566)
Medium Oil on wood
Dimensions Height: 109 cm (42.9 in). Width: 139 cm (54.7 in).
cjr
Painting ID:: 86538
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Joachim Beuckelaer Market Scene Date 1563(1563)
Medium Oil on oak
Dimensions Height: 111 cm (43.7 in). Width: 164 cm (64.6 in).
cjr
Painting ID:: 86554
X
Joachim Beuckelaer Market Woman with Fruit, Vegetables and Poultry Date 1564(1564)
Medium Oil on oak
Dimensions Height: 118 cm (46.5 in). Width: 171 cm (67.3 in).
cjr
Painting ID:: 88081
X
Joachim Beuckelaer Die Kochin mit Geflugel Oil on wood, 109 x 76 cm
Date 16th century
cjr
Painting ID:: 88360
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Joachim Beuckelaer Market Scene second half of 16th century
Medium Oil on wood
cyf
Painting ID:: 88435
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Joachim Beuckelaer Christ in the House of Martha and Mary 1565(1565)
Medium Oil on oak
cyf
Painting ID:: 88614
X
Joachim Beuckelaer Kitchen Interior 1566(1566)
Medium Oil on wood
cyf
1535-1574
Flemish
Joachim Beuckelaer Galleries
b Antwerp, c. 1534; dAntwerp, c. 1574). Flemish painter. He came from an Antwerp family of obscure painters and seems to have spent his entire life there. He trained in the studio of Pieter Aertsen, who in 1542 had married Beuckelaers aunt; he became an independent master and also married in 1560. His earliest known work dates from that year, and his development can be followed closely to 1570. The example of Beuckelaers master remained decisive throughout his career. Not only did he take over Aertsens new repertory of secular subjects, he also completely adopted his stylistic idiom and manner of painting, so that it can be difficult to distinguish the two hands. Beuckelaer was, however, by no means a slavish imitator, and as regards execution he fully bears comparison with Aertsen.